For Le Grand Dîneru Louvre, Malcolm joins Doechii’s Golden Valentino Couture Ballgown for timeless, tidy, rich updates. “For me, her hair has a special height that stabilizes the percentage of clothes without getting large or destructive,” Malcolm clarified. “I wiped her base and included some hair, frowned with 1.5-inch iron. From there, I just carved the swirls with naked hands and secured them on solid hair using Elnett bonuses.”
“We want neat, smooth skin,” Chelsea said. “I suggest our lips are actually bruised because it offsets the clothes. I don’t want to be grand Screaming The dress is one minute. But she looks like a doll! “For lips, Chelsea used Danessa Myricks Colorfix on berry-like darkness and developed eyes that emphasize smokey dizziness with McGrath Moster Mothership v Schement.
Image: MakeupbyChelseax
Image: MakeupbyChelseax
For the efficiency of the Louvre that night, Chelsea called it “providing the Queen of Africa!” Doechii used limited jeans Schiaparelli two-piece gold switches and headdresses made using Malcolm. “We were motivated directly by their direct tracks, and we wanted to make our own high African-style head packs,” Malcolm claimed. “Doechii loves dancing, so I need to prepare! When I put it in her mind, I sew the form directly into the area to increase the mastery.” While the stylist compared to Pinterest deep diving, he found extra motivation in the guide, e.g. African Art and Social Hair
Chelsea has had many times throughout the week, with his smoky eyes adding smoky eyes to the cover. “It’s an efficient look, so you’re constantly looking to add it to make it shine and pop. She needs to look at gold,” Chelsea said. She got a small bullet brush and black eyeshadow and bypassed the edges of the interior, reacting to the rounded fashion jewelry form of the round switches and clothing. The lips are steel, made of Mario’s incredible suede with a dark brown darkness, 2 covered balm light lip glosses called Jeff, Danessa Myricks, with golden lavender, bad, cinnamon darkness breaks through the grid.
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