Meet Musician Anne-Valérie Dupond, That Thought Up Magic Sandals for Jun Takahashi’s Autumn Undercover Program

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Undercover, Autumn 2025 ready-to-wear

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In my opinion, every secret collection of Gaohan Island is similar to a snowball globe where clothes and patterns are modified, but the feeling of miracles and loss is consistent. To commemorate his 35-year style, the developer re-recommended his fall 2004 series. Not only did he repeat the layout of the past, but the cast included designs that strolled over gorgeous efficiency 21 years ago, Takahashi once again collaborated with French musician Anne-Valérie Dupond to make masks, pet claws, equipment, equipment, equipment, and chaos for the scene. In the fall of 2025, Dupont has 7 handmade sets of footwear and a souvenir made from a skull-shaped bag.

Nicole Phelps, who evaluated the program, created: “It creates a broad concept for painful and cheerful time outcomes in the target market.” One way to do this is to describe the key points with ephemeral appeal. Prints with flowers and butterflies, candles shallow fire and wandering plumes. The deliciousness of these referrals is offset by military-style jackets, some are medals, some are created with metrics such as “Don’t Touch Me” and “Loser” and Franken Stan Stan Jumble. The limitations of the system of personal development lie anywhere. Takahashi appears to object by displaying the packaged pet (most likely a sign of children’s virtue) and referring to the animal Earth. Veterinary independent of Takahashi and DuPont (with imaginative flexibility), which includes magnificent chicken, simple vocal birds, luxurious bears and rabbits, deer, owls, owls, crows, crows, crows and creepers. The musician claimed in an online exchange: “Our desires (or problems) must be linked together.

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Gaogaoqiao Head, Undercover 2025

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Skeletal System Bag Anne-Valérie Dupond for Dustcover, Fall, 2025

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DuPont’s approach is through efforts to use packaged pets as a gameplay. Discussing her previous events and partnerships suggests it is at the heart of her work, and visually the Baroque blends Baroque with Indigenous craftsmanship. “My work takes advantage of childhood – injured and requires repairs.” Her sewn body is one of the concepts she deliberately regards “girl’s work” as a mean one. Between each other, Takahashi and DuPont assist us in thinking of a globe where the earth is more effective than the sword.

DuPont listed below discusses her approach and collaboration with the secret and shares photos of the magic sandals she made.

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