That’s what porn is about, according to 93-year-old musician Martha Edelheit. “It’s sensual, peaceful people, volunteers, comfortable, sexy, and often fun, fun and enjoyable. Eroticism thinks, the usual links, touches, touches, licks, look, plays, naked. It turns, teases, giggles, stirs without getting hurt.”
It’s all vibrant in “City of Porn”, a group exhibition of over 40 musicians from the 1950s to today, including Joan Semmel, Carolee Schneemann, Finland of Finland of Finland of Finland, until April 26 on Eric Firestone Road on 40 Wording Jones Road.
The show was curated by groundbreaking feminist musician Edelheit, whose operation in the 1960s brought the needs of women, bodies and skin, like a canvas for tattoo pictures. (Minority was observed in the program.) Every time a lady musician disapproves it, creative, lively, invasive and extreme sexual behavior (“extreme pornography,” Art Chronicler Rachel Rachel later called “extreme pornography”), her default work tests by default the social hypothesis of women, as well as the concept of nudity and nudity, as well as the concept of nudity, as well as the concept of nudity, as well as the concept of nudity, as well as the concept of nudity, as well as the concept of nudity.
Martha Edelheit, The table is determined as treatment 2015
Martha Edelheit in her studio
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